Tech Entrepreneur Mark Sims Describes an Life-Changing Communion Experience, followed by a Very Weird Whitley Moment

 

This extremely unusual show starts with tech entrepreneur Mark Sims describing in the clearest possible terms what it is actually to share one’s body with another entity–not possession, but sharing, that is to say, the classic Communion experience. Then they move on to a discussion of a video the two of them made in 2012 during the Harmonic Convergence. In this video, Whitley describes a completely unique vision of disclosure. As he speaks, some sort of white substance gradually surrounds his face. So far, it has not been  explained as a known phenomenon by any of the video experts we have consulted. Audio users are urged to view the last half of the video on YouTube. @whitleystrieberdreamland.

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Mark Sims Describes a Phenomenal Communion Experience, followed by a Very Weird Whitley Moment — Free Video:

14 Responses

  1. My take is that the light was coming from Whitley himself, but then it just turned off all of a sudden like a television signal going out. What Whitley was talking about during that stretch was his encounter with a brilliant orb the last night he spent in the cabin with Anne before going off to Texas. Earlier he encountered a being that took the shape of a little man, who woke him up in his bed once or twice. On the last night, the man showed up in his true form, a ball of light that had beams coming out of it, piercing Whitley with a most remarkable energy that could be described as ecstatic. Maybe Whitley was emanating that very kind of light in the video. Makes you wonder.

    1. Yeah, he did look a lot like Sanders! What I saw back in 2020, and this time as well, was clustering orbs. At first a couple of distinct orbs, followed by layering, until they appeared as one large…whatever.

  2. I remember that video, because I watched Mark’s on-line event back in 2020. Watching it ‘live’, I couldn’t figure out what was going on! I didn’t realize that Mark couldn’t see Whitley, so I was confused why Mark acted like everything was ‘normal’! I also remember hearing his experience with Tezjbar.Orbs–I’ve seen and photographed too.

    I totally agree about indigenous people. As a matter of fact, I began learning teachings from an elder of the Dine (Navajo) about 2 weeks ago (And I have a lot to learn!).

    I could say so much more, but I’ll leave it at that… Thanks for this one Whitley and Mark!

  3. Such an important interview. WHITLEY, I AM LOOKING FORWARD TO READING THE NEW BOOK YOU ARE CURRENTLY WRITING, giving us advice on how to make ourselves ready for the NEW US…….

    Thought for the day…….

    Friday, August 22

    “It is not the end, then, because we pass from one room to another, from one consciousness to another.”

    Edgar Cayce reading 2282-1

  4. Gut feeling? Two souls in one body and the other soul more female. I thought I could see another face coming in and out of focus around Mr Strieber’s forehead a few times but, what can I say?

    Listen to the way that Mr Strieber’s spoken context became subtly amplified, harmonic and resonant. That was nothing to do with graphical ‘artefacts’.

    When a writer is relaxed, clear and open to flow, a form of channelling seamlessly overlays. I think we witnessed the same effect in that conference video. Don’t worry too much about the light, well, yes, take heed but pair the increase in visible presence with the smooth delivery that Mr Strieber expanded into.

    Ah yes, he is, of course, quite a relaxed and cultured interviewer but I saw another level of Mr Strieber in that video. That seemed ‘two as one’, in perfect harmony; blessed with forward thinking creative resonance that fulfils hearts, in the clear light of day.

    Aye, that was a gem, fair do.

    Peace.

  5. I did some research yesterday on compression in video codecs like MP4 and H.264, and there are a few things that could explain what happened. They are related to something called ‘error concealment artefacts’ and ‘temporal error propagation’. Also, you might have noticed that the error cycle was broken when Whitley moved his hand across his face, breaking the codec’s ability to propagate the error-prone data…which apparently is known as ‘motion-compensated area refresh’. 

    It was admittedly quite a strong effect in this video, but I’m pretty sure it was a result of low movement, low bitrate codec error.

    Although I am fascinated about what could have caused it from a technical standpoint, it is far more interesting to speculate about the extent, duration and timing of this apparent weirdness…so not so much about the ‘Why?’
    …but more of a ‘Why then?’.

    1. This makes sense. It would be interesting to go through the whole interview with Whitley and see how much he moved around when talking about topics other than disclosure. It makes sense that when speaking about disclosure, especially his definition, he would hold really still to emphasize how important the topic is.

  6. The thing I’m having trouble believing is that Mark Sims had never heard of Tierra del Fuego!

    I’ve had a PDF of his “13 Days with Tezjbar” in my computer for quite a while, but never got very far reading it. Time to remedy that.

  7. Thank you, Mark Sims. I believe you are telling the truth because your experience shares similarities to mine. Although the one I encountered was different in appearance, I think. And then later in the encounter when I pulled strips of cloth aside to look directly at it’s face, it was either a Gray’s face or mask. Hard to know. But the energy, the way you described the energy, was similar. And I don’t know that mine actually entered me. It may have entered me through my right armpit, or it may have just “injected” energy into me through my right armpit. In any case, THANK YOU for sharing.

    Also, wether or not the anomaly was an energy or some kind of codec artifact. I don’t care. The fact that it happened when it did is likely an interesting synchronicity at the least.

    Thanks again.

  8. At a guess, I would say that the camera for whatever reason was able to pick up on your akh or sahu – soul components referred to by the Ancient Egyptians.

    As your very ernest description about your grandmother and then the visiting meditation people unfolded you also became more immersed in those vehicles / bodies and the camera was able to read this.

    I have a feeling that the tech to talk with the dead and also read these states of consciousness (that you appear to have reached in that vid) is already with us, but we don’t know how to focus it or utilise it yet.

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